These dolls are the first of three types of angels we are making in Chaska (Mai-Liis) Peacock's online class. I worked on them at the same time, and they are for the most the same except for halos and embellishments.
Their faces are my first attempt using polymer clay for anything. I used some Sculpey III in beige. I didn't use a mold; I kneaded small balls and flattened them to round and oval shapes and used my finger to roll a concave back which I thought might better conform to the stuffed head. I did not try to sculpt this time around. I drew the faces with permanent markers and added a little blush. I wish I had taken the time to get better proportion. I'd like to try watercolor pencils or some other medium that would allow me to properly blend and create the illusion of contour on a flat surface. I'll work on more expressive faces as I continue learning to create dolls. I'll be dabbing little spots of glue around the faces to make the hair better conceal the sides of the face cabochons.
About the hair. The bright aqua is some kind of fibery yardage I bought as a remnant at Walmart. I had no idea what I'd use it for at the time; I only bought it because it looked interesting. It's sort of like a lightweight Pellon interfacing. It drapes, it crinkles, it's translucent. I came across it looking for something else, and I don't know why I even thought to use it for doll hair -- just one of those serendipitous moments when I decided I liked the way the stuff scrunched! Dare I say, it came to me out of the blue... The second angel has purple hair.
I first tried needlefelting some purple wool. It worked well, but to get a sculpted hair style I was afraid I might chew up the fabric too much. I settled instead for stitching on curly eyelash and feather yarns.
I had a wonderful time shopping at Michaels looking for potential halos. Infinite possibilities with lots of wired eyelash and bead garlands all sparkly and pretty for the holidays. Oh the ribbons!
I cannot wait to shop the after season sales! My turquoise haired angel has a halo made with
gold star garland (found in party supplies!) twisted with a multi colored glitter eyelash. Her purple haired companion has feathers for a halo. The feathers came as trim, glued and stitched to ribbon. I had first considered it as a substitute for the beaded fringe at the bottom of the doll, but the ribbon was too rigid to follow a curve even when clipped. It was next to impossible to try to sew by hand, yet I was set on having a feather halo. I ended up cutting individual feathers with parts of the ribbon (I couldn't pull the feathers out) and glued them in a way to frame the head. The meant the back of the angel's head wasn't pretty, and I couldn't stitch more yarn over it for hair. What I did was place a spoked wire "donut" from the jewelry findings section and placed a bejeweled button in the center.
I had such a good time making these angels. It was like having the best play date ever with my inner child.
I soon got carried away and had makings for collages, stitchings and even dolls. Working the exercises from Lesson 1, I have more ideas in the development stage. So it's already happening;
Above are the colors Sharon B generated and you can see the photograph she used for inspiration 
Hmm, is that gray or slate blue? What's that dark color? Indigo? Purply blue? Again I worked entirely from stash. The two pieces of ivory satin that resemble vanilla caramel swirl (yum!) are from a piece of white silk/poly blend that I rust dyed. The teeny, tiny rust colored silk at the bottom left is dupioni. Why isn't there more? I could fib and say I was conserving a favorite fabric, but the truth is I miscalculated with the stitch, flip, cut technique. The slate piece is a piece of ultrasuede, the dark blue (with a tinge of purple) is moire, the print is from a gentleman's tie. The remaining three portions are light blue charmeuse. Confused? The upper right is overlayed with a blue sheer that has been machine stitched to resemble punch needlework, and if you look closely you can see it is printed to look like hand painted , concentric curves. It's from a lot of embellished sheer sales samples I caught on eBay!
I began with the green dupioni and placed it right sides up together with the lavender satin (I think hand painted by Karen South) and cut a gentle curving line. Next I put right sides together and machine stitched matching hills & valleys. My plan was to repeat the procedure with the next pairing, the purple and yellow-green dupionis. Unfortunately I forgot to allow sufficient width to allow for a second seam. Waste not! I seamed what I had and left the curved edges raw and overlapping the outer edges of the starter pair. Not wanting to repeat the mistake I simply straight seamed the end colors, on the left a silk velvet, on the right a crinkle-textured irridescent that flashes yellow and lavender. Too bad you can't see the latter; it's a piece I received in a squishy and it has the most marvelous handpainted flower that I'm reserving for another use.
