TAST 2012 - HERRINGBONE STITCH

I started with three rows of herringbone worked in a variegated perle.  In the middle and at the end of the rows are examples of herringbone overlayed on herringbone, which helps to tack down the longer base threads and add a different design element.

The next was a couching experiment gone, um, not as planned.  The yarn was an interesting bit, very kinky, which I thought would be a cool way to use irregular herringbone.  As you can see the yarn got straightened while stitching over it.  I triple wrapped the x's of the herringbone in a contrasting color since the yarn texture and color really got lost.  Note to self after examining the stitches in close up:
use the same hole coming up and going back.

The flower petals are herringbone stitches in alternating color with cretan stitches oriented toward the center.  At that point I could see it as a feather headdress and was tempted...  Instead I filled the center with French knots and added a single herringbone to form that thingy where the stem begins.

I have space enough on the fabric for one more week.  I can hardly wait to get the next stitch so we can see how the whole thing looks!

See the exciting work of other participants in the Take a Stitch Tuesday Flickr Group
www.flickr.com/groups/56846286@N00/pool/with/6766637445/
We are in Week 5 of the challenge, not too late to join in!
www.pintangle.com/journal/category/take-a-stitch-tuesday

TAST 2012 - CRETAN STITCH

See the exciting work of other participants in the Take a Stitch Tuesday Flickr Group
 We are in Week 4 of the challenge, not too late to join in!

TAST 2012: Feather Stitch

I truly love feather stitch.  It meanders, spirals and can be linear.  And it's so graceful!  My favorite work with this stitch is the sampler I did for the original TAST.

TAST 2010 - WEEKS 38 - 44

Week 38 - Picot Chain Stitch

This is as much as I got done in the assigned week.  I kept thinking I would add something else or take something out, but I never got around to it, and now I don't remember clearly what I was trying to do.  I can see I worked a spiral, worked the chain with picots on either side, and worked the chain zigzag.

Weeks 39 and 40 - Buttonhole Picots

The background cloth is another piece of tea dyed dish towel.  The Watercolour shows up a little better than the Wildflower thread, but there's not much to see.  Sadly I didn't put a lot of time or thought into this assignment.  It was Thanksgiving week and I was juggling two overlapping online classes.  The picots are lost in the terry loops, and because they're placed randomly along the irregular lines, they're hard to spot anyway and not worth the effort IMHO.  I'll simply say the upward spikes have bullion picots and downward the chains. 

Weeks 41 - 44:  Checkered/Magic Chain, Woven Cross,

and Crossed and Plaited Feather Stitch

Magic Chain:  3 rows of chain just under TAST '10.

Woven Cross:  above and below the single line of beads.  I considered weaving the lettering which I added later, but ran out of time and steam.

Crossed Feather Stitch:  the top row, worked in Wildflowers.

Plaited Feather:  bottom rows.  If you look at the tangled center, you can maybe see I worked the plaited version between 2 rows of straight-sided feather stitch.

Even though my work was lackluster toward the end, I feel a sense of accomplishment for having completed the challenge and extreme gratitude to Sharon B for leading us through this wonderful learning adventure.  Tuesdays will not be the same without a new stitch to look forward to.  I'm thinking I might pick up the ones I missed in the original TAST challenge, and after that I'll probably tackle the Stitch Files.

You can view all of my TAST 2010 work here and original TAST here.

You can also view the photo pool for all TAST '10 participants here.

Join all of us at Stitchin Fingers, an international, online community for all manner of stitchery, fiber and needlework.

TAST 2010 - TURKMAN STITCH

TAKE A STITCH TUESDAY - WEEK 36 - TURKMAN STITCH

Sharon B was right in us this is an easy stitch and an attractive border as is.  However, I couldn't think of much else to do with it other than vary the stitch horizontally or vertically.  Here's what I did left to right:

1.  This looks like the traditional stitch and starts out that way, but if you look closely you'll see that after the first two stitches I lengthened the next two by one thread, then go back to the original and alternate from there.  I like this effect, gives a texture of crackle and looks somehow lacier.

2.  Started off normal, then a little zig-zag, then back to normal until I veer off to the left by changing the position of the first stitch.  You can see where I began the righthand diversion; the first stitch begins to the left of the last stitch in the upper, single column and covers the gap left by the top of the left branch.

The right branch experiments with horizontal variations.  I might have avoided the "nubs" if I had made the changes more gradual and by paying closer attention to the tension.

3.  Exactly like #1

4.  Upper portion of this column is worked evenly but more open.  Below I worked two side by side rows.

5.  Didn't want you to think the squiggles in Column 2 were mistakes.  Here's an entire column done zigzag style with random stitch length variation.

6.  The final column show a gradation in stitch length.

I don't particularly care for this stitch on its side, but I think vertically it doesn't make much difference upside down. 

See what other TAST'ers are doing on our Flickr site.

TAST 2010 - SPIKED KNOTTED CABLE CHAIN

 TAKE A STITCH TUESDAY - WEEK 35

Sharon B describes this as a kind of combination of twisted chain and oyster stitch.  It's easy enough to work once you get the hang of it and remember to point and wrap your needle in the right direction.  For this sampler I used single strands of Caron's Watercolours and Wildflower.  This stitch could be worked in tidy little knots, but I tend to form it loose and plump for the texture.  I didn't do much in the range of variation other than alternate spikes and curved & straight lines. 

Originally I was working on a geometric pattern, but at some point I glanced down and saw a tree.  To convince the viewer it is a tree I added some grass, and here's when I came up with another variation.  The final portion of the stitch is worked like buttonhole, so it was easy to add more spikes which I liked a lot.  The lowermost grass is two overlapping rows.

There is one more thing I want to do with this stitch.  I will attempt it later this week, time permitting.

TAST 2010 - BUTTONHOLED DOUBLE CHAIN

WHERE CREEPIES CRAWL

AND SLITHERIES SLIME!!!!!



When you visit the tutorial for Take a Stitch Tuesday's 34th week, you'll see an example of a nice border.  But beware!  You can take this interesting stitch to other places.  I used a piece of wool felt for the background and let my needle go with perles , #3-#8, or two strands of floss. 

I'm thinking Halloween, but see what others are doing here .

TAST 2010 - LOCK STITCH

Take a Stitch Tuesday - Week 33

What I want to know about a stitch are its properties, what it can be made to do beyond the basic.  For example, I want to know if its appearance can be altered by manipulating the line or curve, size of stitch components, or giving the stitch a different orientation.  Each band in this sampler is a separate experiment.  I know the threads I chose make it difficult to see, but this is what I was going for:

Band 1 -   The first line is the basic.  Foundation stitches are #5 perle and lock weave in #8 perle, different shade.  The second line is stitched one background thread below the first and is the same as the first but inverted.   Since the space between the two rows is shallow, the scallops that normally occur between thread pairs gives way here to parallel lines.  If I allowed greater space between the rows I think I would have opposing scallops as another design option.  The closeness of the rows did create a small diamond where the thread pairs meet;

that's where I placed the French knots.

Band 2 - This is probably double lock stitch.  I did the weaving top and bottom.

I love the oval/rounded square space that is formed.  I suppose it would become oblong if the foundation stitches were longer.  I worked a single diagonal stitch in the center with 2mm glitter ribbon.  The rest of this band was done with a single strand of Caron's Watercolours, as are all of the following bands except #5.

Band 3 - I simply worked the lock stitch sideways.

Band 4 - You have to look really close to realize here are parallel wavy lines.  I know now that the undulation would be more pronounced and more graceful if I placed the foundation stitches closer together in their rows.  The different colors are also a distraction from the wave.

Band 5 - I used a skinny rayon cord to make foundation stitches uneven lengths and slightly askew at the top.  The result might have been more interesting if I hadn't been so keen on using this really cool rayon boucle yarn that I have so much of because I made a sweater I had to unravel in its entirety because the yarn was so very stretchy.  So even though I knew it was too bulky for the size of the stitches I let it stay.  I tried desperately to push it down, but it springs back.  Color's pretty, though, right?

Band 6 - Working with foundation stitches on the diagonal -- I think this is not the best use of a variegated thread.  I also meant to try it with the lock weaving to the center.  Another option for later.  I get a nice surprise from this band.  Can you guess before I tell you further down?

Band 7 - Similar to Band 3, this one is double lock stitch on its side.  I used the same thread in both bands, but here I controlled the color.

Here is the sampler on its side so you can see how the stitches look as columns: 

 Take another look at Band 5.  I spy a column of

Sharon B's tutorial for lock stitch and info about TAST 2010 can be found here, and work by other participants can be found here.



TAST 2010 - SHELL CHAIN STITCH

Take a Stitch Tuesday - Week 32

 I love a stitch that meanders.  On its own it's about as exciting as a paper clip, which it can resemble when worked as a zig-zaggy line.  Fortunately for us, Sharon's sampler showed us the potential for wonderful texture with use of yarns and ribbons and inclusions.  This is why I went immediately to a burlap with loose enough weave to accomodate the funkiest of yarns.  As it turned out, I only used one , the soft lilac which is a knitted tube of gossamer fiber.

After laying down a few gentle curves, I experimented with a spiral and a simple, daisy style flower.  The gold rayon ribbon I used to weave as well as working the shell chain.  In the detail below you can see another flower with two rounds of shell chain stitch.

Here's a close up of that flower.  For the most part in this sampler I used perle cottons, #3 -#8, doubling some for bulkier effect.  The gold thread is an inexpensive one I bought on a large tube in a craft store.  It doesn't kink like some metallics and is very easy to sew with, although threading it is sometimes another matter.

TAST 2010 - RAISED CLOSED HERRINGBONE

Take a Stitch Tuesday - Week 31

Let's hear it for the threads!  I started in the center with the heaviest of the threads.  It is a #3 perle hand dyed in ametrine hues by Jane Van Keulen, a talented New Zealand artist.  The final round of tiny leaves and sprigs is hers also, a rayon floss I used double stranded.  It has spectacular sheen and variations of russet.  The four large coral-orange leaves were made with a single strand of  Caron's Watercolours.  They are followed with smaller leaves

stitched with a single strand of Stef Francis silk perle.  Finally the border uses 2 strands of Caron's Waterlilies and #11 seed beads.  The background is Belfast linen.

I was going for a medaillon effect so I found the center of the fabric and basted lines that would divide the work into eights and used those lines to center the leaves.  I was able to alter the shape of the leaves by varying the foundation stitches.  For example, the two foundation stitches for the largest leaves are the same length, but the reddish ones have a shorter upper stitch.  I realized if I began that upper stitch a little off kilter , I could get a slight curve for my leaf tips.

Although my design is symmetrically based, I tried to bring as much variety as I could.  I'm well pleased with the different colors and textures and wholeheartedly give credit to the threads!  Precision is for charted patterns.  I wanted my leaves, while "posed", to still suggest naturalness, and when imperfect stitches occurred I pretty much let them stay.

Don't forget to see what other participants are doing over on Flickr.

TAST 2010 - EASTERN STITCH

 Take a Stitch Tuesday, Week 2

Eastern Stitch

I wasn't very enthusiastic when I started this stitch, but the more I worked it the less rigid it became.  I could alter the appearance with tension, size and thread, and I found it could go in about any direction.  Take a good look at the bird; the stitches have been worked every which way: horizontally, vertically, diagonally, reversed direction, curved to outline, distorted to fill and taper.  With the exception of the outer border, bird legs, upper beak and eye, all the stitches are the Eastern. I had already stitched the outside border, but those X-stitches could just as well have been Eastern Stitch.

A note about the feed dish.  It's an old button, a 1/4 inch deep cup with scalloped edges.  The flat bottom is a 2-hole sew-through (no shank), which enabled me to stitch in the seed bead corn. Got to fatten the hen, you know.

The Eastern stitch tutorial and more information about TAST 2010

can be found here.  And you can see the work of other TAST participants here.





TAST 2010 - WOVEN TRELLIS & RAISED CHAINS



MY STORYBOOK DREAM

 
I sought a place to have my lunch
Beside a stream of tropical punch.

Fruits and berries came in handy,

But oh! those flowers made from candy.

'Neath leaves of green so sweet and minty

I rested my tummy full of plenty.

Leaning against the chocolate wood,

I tasted some bark and it was goooood.

Fluffy clouds of marshmallow cream

Floated past in my storybook dream.

When at last I woke from my nap,
I found this stitching in my lap.

TAKE A STITCH TUESDAY - WEEKS 27 - 29:  WOVEN TRELLIS and 2 VERSIONS OF RAISED CHAIN.  These links will take you to the tutorials for these stitches.  You can also visit the TAST Flickr Group Pool to view work by many participants.

All of the flowers are woven trellis with the exception of the one centered on the left; it is Version 1 of the raised chain as is the rainbow banner. The circle and scroll are Version 2.  A single strand of Caron Watercolours was used for the major elements, although the rainbow and border straight stitches are done with Caron Wildflowers, a single strand.  The accents on the flowers and other background stitches were rendered with Stef Francis silk or cotton perle.  

At this point I feel obliged to explain the poem.  I wasn't very happy with my woven trellis flowers, but they were better than the ones I ripped off another piece of fabric.  I didn't really want to work any more and decided to put a hold on the sampler until the next TAST.  I worked the two versions of raised chain, and still wasn't at all pleased with the look of the overall piece.  No wonder.  It was clearly hodgepodge and totally unacceptable to me.  I kept coming back to it and adding things, starting with the additions to the major flowers.  Before I added filler stitches I pondered for days about the big rainbow thingy.  I  knew it was a stream of something delicious fed by a soda spring.  But how could anybody looking at the stitchery connect to my childlike fantasy.  So I wrote the little poem to convey the imagery to the viewer, not so much that I thought viewers would be clueless , but more to my thinking the sampler couldn't stand on its own.  I like this stitched piece now.  It makes me happy and evokes memories from the naive imagination of my childhood when my mother read me stories about candylands, sausage trees, lemonade seas and popcorn snorting dragons and Shirley Temple sang about the Good Ship Lollipop.





TAST 2010 - SIENNESE STITCH

                                       Take a Stitch Tuesday, Week 24
The Siennese stitch may look like a cross stitch, but it is constructed quite differently.  Click on the link above to see the tutorial.  There is a twist in the thread at the center that provides texture to the stitch, but it's difficult to see when rendered in a dark thread or in a smallish stitch. 

I experimented with 11 different threads and yarns to make the Siennese stitches.  You can see I've used them as individual, pattern grouping, and couching stitches.  I think the background is a 28 ct. lugana.  The grid-thingy is a piece of latch hook canvas that I dyed.  Here's another orientation. 

Take a look at how other participants are interpreting the TAST stitches!

TAST 2010 - TRIPLE & WAVED CHAINS

Weeks 22 and 23 of Take a Stitch Tuesday - chain stitch variations.  Not much to say here; the stitches were easy to work and and afforded some interesting possibilities for change.  With the triple chain I played with the orientation of the side chains and then placed the triads in different arrangements.  The zig-zag one doesn't show up well; I should have used two strands of floss to stand up to the #5 perle.  I worked this pattern using two needles.

The wreath is made from two different variegated green threads, but I did not work the leaves in pairs.  I worked stitches in one color first and then filled in with the other.  The two vertical lengths of waved chain are similar and used the same double strands of floss.  In the skinnier one I work each bottom stitch through the same hole.

A word to thank all of you who read my blog and take time to leave much appreciated comments.  I am not ignoring you!  I do love to look at your work and leave feedback and hope to resume that practice again.

TAST 2010 - SLIPPED DETACHED CHAIN

TAKE A STITCH TUESDAY - WEEK 21

I like the way the slipped detached chain can make blossoms.  My background is cotton duck.  I did a running stitch border in a rayon cord and later, to my regret, wove in the novelty yarn which I now find distracting and would remove, were I to have another use for this sampler. 

I laid foundation columns of feather stitch with a single strand of Watercolours ("wildberries"?) then proceeded with the blossoms in the same thread.  I worked from top down and started with single slipped stitches, then double and finally triple toward the bottom.  I wanted the droop effect atop the second column, so I used French knots to represent spent blooms, followed by reverse pointing single slip stitches for fading flowers, then proceded as I did with Column 1.  To bring filler to some of the negative space I stitched a "background" vine in the rayon cord, leaving it unembellished.  With some #5 purple perle I made a few bees.  It occurred to me to make a butterfly using 2 detached chains with the slipped stitches between them, but I didn't really know where to put it.

Back to the border.  I like it on the right side.  On the left it competes with the floral column, and it's bugging me so much I've got to remove it.  Yes-s-s-sss.

TAST 2010 - BUTTONHOLE WHEEL CUP

Ole!  Week 20 of Take a Stitch Tuesday:  buttonhole wheel cups.   I started with wheels that were too large  to create, say, a lily of the valley blossom, but I still managed some variations using the basic technique.  I forgot to take a pre-embellishment scan; it would have made descriptions easier.  I did like it plain, and could easily have filled in with small cups and partial fans. I'll explain each flower starting at the top and from left to right:

Row 1: 

1)  Large yellow wheel with picot edging and woven spokes (2 spokes up, 2 down).  thread is a variegated perle (DMC, I think). 

2)  Coral wheel, worked from the inside and pulled tautly to create spikes on the outsidew (most are covered).  Thread is one strand of Caron Watercolours.

3)  Large rainbow colored wheel (Caron Wildflowers "Tahiti").  It's a little hard to see, but there are 2 ruffled edgings.  After completing the first buttonhole round, I began another toward the inside.

4)  Multi wheel with buttonhole worked from the outside as shown in Sharon's tutorial.  This wheel had 16 spokes.  I first tried wrapping them four at a time, but the resulting triangles were not even .  For the do-over I wove up and down four spokes at a time.  I tried changing the up and down positions about halfway, but it looked untidy.  I left it as you see and put a French not in the center.  The thread is another Wildflower colorway.

Row 2 

1)  Small Tahiti wheel, edging to the center.

2)  This wheel has lots of increases in the first couple of rows, then I started decreasing to pull the edging toward the center.  It's like a pouch.  I could stuff it and gain more dimension.  I think it resembles an upside down Rasta cap with its Carribean colors.

3)  Small yellow wheel gets it bumpy texture from working 3 buttonholes in one stitch then 1 in the next.  It is worked from the inside toward the center, the same as the 3 coral wheels. 

4) Coral wheel, see above.

Row 3

1)  Coral wheel, see above.

2)  This is worked like #4 in the first row, except there are 14 spokes, the weaving over 2 spokes at a time.  One round of buttonhole edging.

Now I'm off to pack.  I'm taking a quicky trip to CA to see my dad who is now home after several weeks of hospitalization.  It's a brief visit between DH's chemo treatments.  I'm pleased to say both gentlemen are doing well, and so am I.  I'll be working on Week 21 out there!

TAST 2010 - SWORDS, WAVES, FEATHERS

 I'm sapped.  It's stress.  My work here lacks the sense of stitch adventure I usually try to convey.  I enjoyed the stitches, and it wasn't as though they didn't lend themselves to creative re-interpretation, I just didn't have the energy to think outside the box.  On the other hand, I am caught up!

WAVE STITCH - WEEK 18
I started with a piece of fulled wool.  There was a piece of dyed cheesecloth stuck to it like it wanted to stay.  I spread it out with no particular shape in mind, and I let the rest of the scrim dangle because I didn't have any scissors at the time.  There were also bits of threads stuck to the cheesecloth, so they got to stay, too, and eventually I added more snippets.  With nothing special in mind I started working the wave stitch with a variegated #5 perle.  I liked the way the cheesecloth sort of pouffed through, so I kept going.  After a while I turned the piece upside down and started down from the opposite side.  Not sure where to go next, I rotated the piece and considered the possibilities (remember, there's still a glob of cheesecloth hanging off one end!).  A plumed helmet?  With stuff dangling from the earlaps, perhaps?  A vessel?  There's something about that concave -- a maw.  And teeth!  I'd found my direction.
I worked wave stitching from both sides until I was about a row apart at the center.  I simply laced to join.  For the tail I cut off the excess scrim to leave enough to fan out.  I stabilized the tail with some gathered tulle that I stitched from behind.  I knotted in streamers, and these are longer that what you see above.  Finally I added a button eye so you'd sense it was a creature.  That's as playful as I could muster.

WEEKS 17 AND 19 - SWORD AND UP AND DOWN FEATHER STITCHES

The chain stitch was already on this piece of linen .  If you look at the large blossom you can maybe see where I worked 7 sword stitches, hilts to the center capped with French knots.  I then placed lazy daisies around the blades of the swords.  I'm not sure what the thread is, but it's a boucle cotton.  It was my first time using it, and I like the effect.  The smaller flower is worked like the larger ones.  I used two strands of cotton floss to make sword stitch greenery.  I used a variegated #5 perle to work the first layer of up and down feather stitch, followed by a layer of 2mm rayon ribbon, and finally a few stitches with 2 strands of floss (blue).  To fill space I added a few vintage buttons.

TAST 2010 - ITALIAN KNOTTED BORDER STITCH

Take a Stitch Tuesday - Week 16.  The Italian knotted border stitch looks deceptively like the knotted fly stitch.  Once you work it, though, you realize the major difference is where the knot lies.  In the Italian knotted stitch, the knot, specifically a French knot is formed outside  and below the "V".  In knotted fly, the knot is created in the V before adding the stem.  In other words, the French knot is the stem in the Italian version.

I began in the center with a single French knot, around which I placed 4 Italian knotted stitches, knots inward.  Then over each leg I worked the same stitches knots facing outward this time, and I worked in an extra stitch wherever there was a gap. Next I  worked stitches knotted outwards , beginning the legs from the previous row of knots.  The I worked a round of overlapping stitches.  This inner "flower" was done with two strands of silk floss.  I switched to a single strand of Watercolours and worked a circle of French knots around the flower.
From those knots I worked a round of Italian knotted stitch, knots outward and surrounded by two lines of laced running stitch.  The final border is comprised of pairs of Italian knotted stitches worked knot to knot, French knots in between.

TAST 2010 - LADDER STITCH

Week 15 - Ladder Stitch was love at first try.  It can be worked in a very orderly fashion.  Even better it can be varied both vertically and horizontally, shaped, worked solo or side by side.  But best of all can be woven leading to myriad other possibilities.  Here is a stitch I can play with.  I was delighted  with this little bit from my doodle cloth.   At first glance I thought it was pretty cool just as an abstraction.  Maybe it's all the Zentangling I've been doing lately; I sense a hint of 3-D perspective.

I didn't have too much in mind for my sampler other than a composition of grids.  It was when I started weaving in parrot colorway that the idea of feathers arose, and next came the challenge to see if I could build an avian shape with just ladder stitch.   This is what I came up with free stitching (no pattern or outline).  I think it's recognizeable as a bird?

Although I'm through with this for now, I seriously thinking of going Crafty Chica and adding sequins & beads to the background.  Pity you can't really catch the glitter cord sparkle.

TAST 2010 - BUTTONHOLE HERRINGBONE

Waiting on DH in another doctor's office, I'm working on Week 14 of Take a Stitch Tuesday.  After a short time a young girl sitting across from me says, "I like what you're doing there."  Never one to disregard a child's curiosity, I invite her to sit next to me to see first hand what I'm doing.  She was intrigued by the very things that appeal most to me, pleasing colors and lots of textures.  She was delighted to touch the sampler and oooh'ed as her fingers stroked the silk ribbon, and I was tickled that she picked up on the glittercord right away.

I  reached into my thread bag and  showed her how she could feel the difference between silk and cotton.    I was sorry I had no extra cloth with me or I would have her stitching in no time.  I had to settle for her promise that she would ask her grandmother to teach her embroidery.  I got no stitching done for the remaining wait, but I had the most extroadinary conversation with a young lady far beyond her 11 years.  We discussed our art interests which turned out to be mutual, as well; we pretty much ran the gamut of fiber arts.  DH showed up just as we were creating Zentangles, me on the back of my shopping list, she on an electronic device with a drawing program.  Time well spent.  And from now on my activity bag will include not only extra stitching supplies but knitting needles, yarn, crochet hooks and small pads for Zendoodling.  I intend to be prepared for the next teaching opportunity!

The first band started out as an up/down, every-which-way line of stitching that was probably more in line with my mood while I sat out DH's routine colonoscopy.  His results were fine, mine not so much.  I frogged it completely and replaced it with two repeat rows.  By the way, all the herringbone in this sampler is worked in #5 perle cotton.  The first band is buttonholed with a variegated perle from Anchor.

The whole time I'm working on this stitch I'm thinking of ways to depict waves.  The variation I made in the second band was to alternate the peaks and valleys in the two rows.  The buttonhole portion is a single strand of Caron Watercolours.   If you look at the last part of the second row, you'll see it's more angular than scalloped.  I left it that way to show I experimented with working the buttonhold upside down.  My conclusion is the scallops lay better when worked right side up.

 Band 3 is double herringbone buttonhole; ie, both layers have buttonhole over the foundation herringbones.   I suppose it would have looked more interesting if I had "woven" the second layer, but I wasn't energized enough to try. The underlayer of buttonhole is worked in cotton perle, possibly Caron Wildflowers, the upper layer is 2 strands of silk floss from Vikki Clayton.

Turn Band 4 on it's side for a short/tall effect.  I think this would work well for waves (picture different blues and pearl or crystal beads for white caps and spray) or for purple mountains'  snowcapped majesty.  And note to self:  use a thread with less contrast for the foundation herringbone.   Young Jada asked me two questions.  After explaining the TAST challenge and how it works to her, she wanted to know what kind of prizes were we competing for.  I hope my answer sunk in, that our reward comes in learning something new, trying something new, and that through our online show and tell we garner inspiration and encouragement to go on doing what we do just because we love to do it.  Of course then she wanted to know what I was going to do with the sampler.  I didn't think it prudent to say it would probably end up in a box or drawer with like pieces, so I suggested ways I could use it by making it part of something larger, like adding fabric and making a purse or a book cover or lid for a special box.  Jada thought it would be way cooler for me to stitch all my samplers together like a quilt.  It was sort of like our coversation.  One thread led to another until everything was unified.